The CommitteePresident - Lamorna Nightingale ![]()
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The Flute Society of NSW is run by a committee of volunteers. The members of the committee give generously of their time and experience to make Flute Society of NSW as useful as possible to the flute community. The committee meet through-out the year to organize Flute Society Events and hold an Annual General Meeting once a year to vote in members of the committee and deal with official business. Click here to view the minutes for the meetings . If you are interested in volunteering to assist with the running of the Society please contact us - we are always interested in extra help!President and Webmaster - Lamorna Nightingale M.Perf, B.Mus
Lamorna
Nightingale is a member of Australia’s premier new music group,
Ensemble Offspring, and regularly performs as a casual member of the
Sydney Symphony Orchestra, the Australian Opera and Ballet Orchestra,
and the Australian Chamber Orchestra. Lamorna specializes in the repertoire of the 20th and 21st century and has established strong working relationships with many composers. In 2009 Lamorna released the recording ‘Eat Chocolate and Cry - Australian Flute Music 1999-2009’ in collaboration with Christine Draeger and Jocelyn Fazzone, with whom she has recently established the flute repertoire publishing company ‘Fluteworthy’. Lamorna studied with Vernon Hill and Virginia Taylor at the Canberra School of Music and with Margaret Crawford at the Sydney Conservatorium where she completed a Masters in Performance. Lamorna has taught flute for the Australian Institute of Music, University of NSW and several Sydney schools and is a senior examiner for the Australian Music Examinations Board.
Vice-President - Jocelyn Edey FazzoneJocelyn Edey Fazzone is a Sydney born performer and teacher of both flute and piano. Her studies under the renowned teachers Nancy Salas, Erica Booker (piano), and Michael Scott, David Cubbin, Maxence Larrieu, Robert Willoughby (flute) were undertaken at Sydney University and Sydney Conservatorium, Conservatoire de Musique in Geneva, Switzerland, and Peabody Conservatory in Baltimore, USA. Jocelyn has performed in the Sydney, Tasmanian & Queensland Symphony Orchestras, the Australian Opera & Ballet Orchestra & the Collegium Academicum Orchestra. She currently teaches part-time at the Sydney Conservatorium and Wesley Institute; is the Woodwind Advisor and Senior examiner for the AMEB NSW; and is a regular performer of chamber music with Windfall Sextet, with Moran/Fazzone duo, and performs as the regular Associate Artist with flautist Janet Webb. Jocelyn is one of the leading teachers of flute in NSW, having been awarded the AMEB Shield for achieving the highest student results on 5 occasions since 2004. She has released 2 CDs to date as Associate Artist to leading Australian flautists; she has recently co- published a large collection of flute studies; and is currently co- authoring a volume on flute teaching methods for new teachers.
Secretary - Jude Huxtable BA, A Mus A, LTCLJude Huxtable began her lifelong love of the flute when, as a primary school student, she heard Victor McMahon play the Carnival of Venice. She eventually studied flute with Peter Richardson, Nicola Snekker and Margaret Crawford. Membership Secretary and E-news editor- Derek GallowayBorn in Kilmarnock Scotland in 1963, Derek started playing the flute at the age of fourteen. He studied flute with Shelia Cochrane at Napier University Edinburgh and in 2001 began studies with Sheena Gordon (Scottish Chamber Orchestra) , Derek has attended and played in masterclasses with such players as Wissam Boustany, David Nicolson, Lorna McGhee, Paul Edmond-Davis, Peter Lloyd, Ian Clarke and Sir James Galway. Treasurer - David LevistonDavid Leviston grew up in Melbourne and started playing the flute at age seven. He has studied with many teachers most notably in Australia with Audrey Walklate, Leslie Barklamb, Margaret Crawford, David Cubbin, Colin Evans and Linda Vogt. Overseas he studied with William Bennett, Peter Lloyd, Michel Debost, John Wion, Julius Baker, Sam Baron and James Pellerite. Sarah BroughtonSarah Broughton is a freelance flute/piccolo player, and teacher in Sydney. She has performed in orchestras throughout Australia, the UK, China and Canada. Sarah studied with Vernon Hill and Virginia Taylor at the Canberra School of Music, and with Paul Edmund Davies and Gareth Davies at the Royal College of Music Alex CastleCynthia-Louise DellitAs the youngest permanent member of the Sydney Symphony Orchestra, Cynthia-Louise was awarded a German Academic Exchange Scholarship (DAAD) which resulted in seven years of study and performance experience at Detmold Musik Akademie with Prof. Paul Meissen and Berlin Hochschule Der Kuenste with Prof. Hans-Peter Schmitz, as well as working with Symphonisches Orkester Berlin. On returning to Australia she began an extensive academic career with tenured permanent appointments as Lecturer in Flute, Queensland Conservatorium of Music, Head of Woodwind, (performance, chamber music and pedagogy) CAE Faculty of Performing Arts South Australia and Head of Woodwind, Senior Lecturer in Flute and Coordinator of Chamber Music, Elder Conservatorium of Music, University of Adelaide. Casual appointments include Visiting Lecturer in Flute, Chamber Music and Woodwind Pedagogy Sydney Conservatorium of Music, Flute Lecturer Australian Institute of Music Young Artists Program, Masters supervisor Newcastle Conservatorium and Resident Artist Teacher at Shanghai, Xian, and Wuhan Music Conservatories in China. Performance experience includes working with the Australian Chamber Orchestra, Sydney Symphony Orchestra, Melbourne Symphony Orchestra, Queensland Symphony Orchestra, Adelaide Chamber Orchestra, Berlin Symphony Orchestra and Shanghai Broadcast Symphony. She has also performed in numerous international music festivals including Montreux, Lucerne, Linze, Salzburg, Hong Kong, Manila, Shanghai, Adelaide, Sydney and at the London Proms. Currently Cynthia Louise is a member of the performance teaching staff at the Sydney Conservatorium of Music teaching tertiary flute students and members of the Rising Stars Programme. As an M Phil Research Candidate, University of Newcastle, she is investigating the perceptual variance amongst musicians of instrumental articulation in ensemble contexts. Other activities include former President, Flute Society NSW and consultant for Conservatorium Mid-North Coast. Kellie Grennan B Mus (Hons)
Katrina Kelvin M.Perf., B.Mus., L.Mus.A., A.Mus.A – FluteKatrina holds a Master of Performance and a Bachelor of Music degree from Sydney Conservatorium of Music where she studied with Janet Webb and Margaret Crawford. Whilst studying, she was principal flute of Sydney Youth Orchestra, Willoughby Symphony Orchestra, and the Conservatorium Chamber and Symphony Orchestras. Katrina has played with Sydney Symphony and the Opera and Ballet Orchestra and won the 8th Australian Orchestral Flute Competition as part of the Australian National Flute Convention 2005 and was awarded the ‘2MBS-FM Young Performer of the Year 2000’. Lyndie LevistonLyndie Leviston studied for her B.Mus (Perf) degree under the guidance of Swiss flutist, Beat Wenger, at the University of Cape Town, South Africa. In 1996 Lyndie filled the position of Sub-Principal flute, doubling piccolo, with the Cape Town Symphony Orchestra and was a member of the Viva Musica Quartet. Angus McPhersonAngus McPherson grew up in Sydney and began playing the flute in his primary school band at age 9. He has just completed a Master of Music (Performance), studying with Alexa Still at the Sydney Conservatorium of Music. Angus has performed with the Conservatorium's Symphony Orchestra, Chamber Orchestra, Modern Music Ensemble and has played in the orchestra pit for several chamber operas. He regularly performs in orchestras for various musical societies as well as with the Turramurra based Orchestra 143. He was a co-soloist with Orchestra 143 in May in 2011, performing Cimarosa's Concerto for Two Flutes. Angus enjoys playing many styles of music but he is keenly interested in contemporary music and extended techniques for the flute. In 2011 he spent several months in New York where he conducted interviews with the contemporary flute expert Robert Dick about his invention; a sliding extension for the flute called the Glissando Headjoint. He has performed in international masterclasses for Robert Dick in Seattle, USA, and Gergely Ittzés in Győr, Hungary. In August 2011 he played flute, alto flute and piccolo in the International Opera Theater's production of the new opera, Decameron, in Citta della Pieve and Citta di Saluzzo, Italy. Angus has also performed in masterclasses in Sydney for flutists such as Alison Mitchel, Michael Cox and Emmanuel Pahud. |








